In theory, this is a powder-keg situation, but, crucially, Fonda never seems in danger. And when they’re not doing that, they walk to a spotlight in the wings to deliver fairly stilted monologues. In part, this is because of the flat staging – the cast occupy a row of chairs from which they take turns to yell at each other. And even in 2005, a man spat tobacco juice in the 68-year-old actress’s face at a book-signing.īut this production never really sparks into life. After all, at the height of her activism, her photo adorned the portable toilet mats used by the US Armed Forces to piss on. The idea of Fonda confronting a room full of furious former soldiers who believe she betrayed them and her country is ripe with dramatic potential. But the play never strays far from her side, as Jastrow uses documentary footage and a detailed outline of her beliefs to portray her as a preternaturally clear-sighted humanitarian. Beyond a few media interviews, we don’t know really know how the actual meeting panned out, other than that Fonda’s film went ahead. In spite of the title, this isn’t a genuine trial of Fonda’s actions in one of the most controversial periods of American history. ![]() Following the burning of her effigy and threats to disrupt the making of her latest film, Stanley & Iris, co-starring Robert de Niro, Fonda held a meeting with angry Vietnam vets. Here, Hollywood writer Terry Jastrow directs his wife, Anne Archer, in his recreation of what happened behind closed doors during a little known event in Waterbury, Connecticut, on 18 June, 1988. It outraged American Vietnam veterans, who dubbed ‘Hanoi Jane’ a traitor to her country and to the memories of those soldiers who had died. It was her July 1972 trip to Hanoi in particular, when a now-iconic and misunderstood image of her sitting on an anti-aircraft gun surfaced, that earned her the name “Hanoi Jane,” and led critics to call her a traitor to her own country.The image of actress Jane Fonda sitting, smiling, on an NVA anti-aircraft gun during her 1972 tour of North Vietnam in protest against America’s involvement in the war has dogged her career ever since. The talk show host then fired back at Fonda by harkening back to her earliest days as a celebrity activist, when she engaged in protests against the Vietnam War and other causes. Nor am I in the market for a lesson for Jane Fonda on what is and what is not appropriate.” But I have no regrets about that question. “Look, I gave her the chance to empower other women, young and old, on a subject she purports to know well, and she rejected it,” Kelly said. To this, Kelly noted that it seemed odd that she was ridiculed for asking a question Fonda had seemingly so readily responded to in previous interviews. Kelly then rolled a clip showing Fonda talking about the benefits of plastic surgery on numerous other talk and news shows. That’s why, to her credit, she’s discussed plastic surgery pretty much everywhere before coming on our show.” And if Fonda really wants to have an honest discussion about older women’s cultural face, then her plastic surgery is tough to ignore. Well, the truth is, most older women look nothing like Fonda, who is now 80. For years, she has spoken openly about her joy in giving a cultural face to older women. “Fonda was on to promote a film about aging. On Monday, Kelly fired back at Fonda, calling her out for what she dubbed the “poor-me routine.” It showed that she’s not that good an interviewer.” ![]() The Jane Fonda in Five Acts star told Variety in an interview published Saturday that she was “stunned” by the question, and thought it was “so inappropriate. At the time, Fonda looked offended by the question, and responded with a dismissive, “We really want to talk about that right now?” Last September, Kelly asked Fonda, who was a guest on her show along with Robert Redford promoting their new film Our Souls At Night, about what she thought about plastic surgery. ![]() Megyn Kelly stood by her decision to ask Jane Fonda about her plastic surgery during a segment of her show Monday, bitingly reminding her audience that the Oscar-winning actress and activist’s name is “synonymous with outrage.”
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